https://rmdd.uchile.cl/index.php/NO/issue/feed 2024-01-26T14:39:06+00:00 María Soledad Falabella Luco revistanomadias@gmail.com Open Journal Systems <p>Revista <em>Nomadías</em>, fundada en 1995, está adscrita al Centro de Estudios de Género y Cultura en América Latina de la Facultad de Filosofía y Humanidades. Es publicada anualmente en el mes de diciembre. Asimismo, contempla Números Especiales de carácter monográfico. Publica textos inéditos en castellano y consta de seis secciones estables sobre estudios críticos interdisciplinarios referidos a estudios de género, teorías feministas, estudios de sexualidades, feminismos, masculinidades, estudios de mujeres, estudios de biopolítica y estudios queer. Esas temáticas se abordan desde diversas disciplinas y ámbitos del saber, tales como, literatura, psicoanálisis, filosofía, ciencias históricas, estudios culturales, antropología, sociología, historia, ciencias políticas y educación</p> <p>&nbsp;</p> <p>&nbsp;</p> https://rmdd.uchile.cl/index.php/NO/article/view/73718 2024-01-25T17:06:12+00:00 Mauricio Sepúlveda Galeas sepulveda.galeas@gmail.com Sebastian Ubiergo Sichel ub.sebastian@gmail.com

Situated in the coordinates of post-structuralist thought, the text investigates the collective memory of political violence in Chile in the period 1973 - 2013 through field research using the method of productions. Using genealogical analytical tools applied to the study of governmentality, it rewrites an unfinished text that contained the results of previous research. The rewriting of the text is inserted during a plot of second and third order observations through which the ways of thinking about collective memory and its implications are problematized. The narrative productions are approached through an analysis that underlines the political rationalities, technologies of government, devices of political violence to analyze the generational continuities and differences that emerge in the period covered by the research.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73641 2024-01-18T00:43:20+00:00 Daniela Gutiérrez Contreras dpgutierre@gmail.com

Debates around sexual and integral education have been a topic of controversy. Ideas about what could be taught in schools and who has the right to teach on this subject are maintained in spaces of constant discussion, while the State develops public policies that try to solve the problems that arise within educational establishments. One of the situations in which this tension can be evident is the constitutional accusation made against Minister Marco Antonio Ávila during June of this year. This essay offers a reading of this problem from a gender perspective with the aim of making visible the discourses that reproduce discrimination against sexual and gender diversity.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73640 2024-01-17T23:32:19+00:00 Tomás Mandiola tamandiola@uc.cl

This article will tackle the incorporation of sexual non-conformity as an identity category and political target in the Chilean state discourse based on the relationship between art, body and politics. It will address the mural "El muro de los deseos" by Ojo Porno erotic group, that was part of the Mapalgbti.stgo gender non-conformity memorial, which was installed and censored after a controversy promoted by conservative organizations in 2022. My goal is to assess the extent to which the body and counter-hegemonic sexual practices exceed the frameworks of tolerance of state discourses of integration of sexual diversity/dissidence, related to the cultural heritage. The analysis will board two questions: (1) the sexual non-conformity monument question, in a context marked by the rise of the far right; and (2) the subsequent hostilities regarding from the incorporation of so-called dissidence(s) into a hegemonic discourse.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73734 2024-01-25T21:26:29+00:00 Aleosha Eridani aleosha@hechoengenero.cl

In this article I propose to explore the possibilities of the theatre of the oppressed for working with men and masculinities. To this end, I offer a reflection on the implications of articulating both fields since the theatre of the oppressed questions the possibility of working with 'oppressors', considering that men structurally occupy a position of power and privilege in the patriarchal system. However, the reflection also aims to make visible the subordinate positions that men occupy, since there are alternative experiences to hegemonic masculinity. In order to investigate this, I share two work experiences, one with workers and the other with students, where issues such as wage labor and sexuality are addressed, respectively. The work was carried out specifically with the technique of image theatre.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73643 2024-01-18T01:58:08+00:00 Vicente Santibáñez Aravena v.santibanez.1@ug.uchile.cl

The following article aims to investigate the wounds and scars of the bodies tortured by the Chilean dictatorship, taking as a paradigmatic case the torture of Karin Eitel narrated by Pedro Lemebel, to explore, both the status of truth and archive that they entail, and therefore, their ability to form an embodied testimony, namely, a memoir of the body itself. As well to explore what to do with those marks and that memoir, that is, we seek to question the function of that memoir based on the hypothesis that it is not focused on the past, fetishizing the wounds, but on the future. In other words, the thesis to be defended will be that memoir must work as evidence of the past, using the embodied testimony to show that a violence happened to/in the body, but its focus will be to prevent it from happening again, ensuring a promise and a future.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73645 2024-01-18T03:04:59+00:00 Tomás A. Estefó Carrasco testefo@gmail.com

Fifty years after the coup d'état, its effects on Chilean society continue to be observed in political, economic, cultural and social aspects, but one area that has been less studied is its effect on the sexuality of Chilean society. A conservative dictatorship and a first decade of the transition to democracy with the Catholic Church as a moral compass, Chilean society seemed to confront itself through various discussions about the Body and Sex. Through the following article, four cases in which naked bodies have been exposed in public spaces or places of public access in the late twentieth century and early twenty-first century will be studied in order to understand and analyze the state of sexuality of the time and build a historical account of an area of society that in the last 30 years has undergone all kinds of changes.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73736 2024-01-25T21:41:12+00:00 Magdalena Vigneaux magdalenavigneaux@gmail.com

During the Chilean social outburst, La Lira Colectiva was born, a periodical publication that circulated in flyleaf format, whose purpose was to record what was taking place in the country. Its name is due to the fact that its authors aimed to revitalize the Lira Popular, that is to say, the Chilean broadsheets that were printed between 1870 and 1940, approximately. Thus, La Lira Colectiva constitutes memory in two senses: on the one hand, it is part of the tradition of cordel literature, a phenomenon with late medieval roots; on the other hand, it aims to bear witness to political and social events from the point of view of popular subjects. Both aspects, of course, interconnected, since, in Chile, cordel literature was a means of popular expression with a strong political content.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73733 2024-01-25T21:03:46+00:00 Rick Afonso-Rocha rarocha@correo.xoc.uam.mx

I will try to outline some considerations about literary enunciation, in terms of its versatile emergence on the discursive stage. It is an emergence traversed by the node (ideological/imaginary – political/symbolic – economic/real) that signifies it, determining meanings and controlling its affective functioning. I intend to highlight that literature, as part of the commercial apparatus, does nothing more than make subjects see and emerge readers, authors, characters, editors, consumers, integration, and realization. Next, I will present my analysis of Philip K. Dick's literary statement The Governing Machine, for what it makes me see and makes me state in its complex meaning that, although not a priori, it can have directions impregnated in the form-subject in the one I recognize. That said, I need to anticipate what that statement makes me see and makes me say: the functioning of Bolsonarism as a technical machine of capital, from the drone in the cutting of the sex-gender system, which here I called the cis-heterosexist drone. I am interested in understanding the enunciative functioning (making people see/making people say) as an ideological, political, and economic paradigm, as a technical machine of the war machine of capital, that is, as a paradigm that goes beyond the Brazilian social formation, but that, At the same time, it carries certain singularities from the periphery of the world-system.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73642 2024-01-18T01:12:52+00:00 Marjorie Huaiqui Hernández poetamarjorie.huaiqui@gmail.com

This paper discusses pre-Columbian indigenous women's writing, the relationships with 'oraliture' and the written word in urban Mapuche women's narratives. It points to the role of memory, Mapuzungun and spirituality in performance, as well as the aesthetic experience of nature in landscapes that link the poetics of pre-colonial indigenous women's narratives with those of the urban present as a new anti-colonial and anti-patriarchal narrative. This continuity and (dis)continuity presents a narrative that is maintained in poetry in the urban context to this day. This acts as a cross-border position that forms the 'champurria' identity in order to relate to other peoples, and at the same time it is the performance that the Mapuche woman performs with spirituality, nature and Mapuzungun.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73644 2024-01-18T02:12:08+00:00 Esther Vázquez y del Árbol esther.vazquez@uam.es

Nowadays, gender is frequently understood in terms of binarism (especially within Western countries), starting from birth’s biological sex. Nonetheless, there is a rising rate of non-binary and transgender people, who are not defined by binary terminology, and they must apply for legal paperwork, and their translations rendered into other languages. This fact turns into a troublesome concern that ought be addressed, especially when working with Spanish, a gramatical gender language, translated from English, a non-grammatical gender one. Because of this, in this research article we will first choose a corpus of 8 North American legal documents (all of them are highly requested translation briefs), then we will look for 15 challenging lexical ítems, searching for their lexicographic definitions and translations, and later we will supply their most attainable Spanish translations (providing gendered and genderless translations). Our investigation will unveil how Spanish language can rely on its own translation techniques (such as paraphrase) in order to provide the English-Spanish target reader with non-binary legal terms (and with binary ones).

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73638 2024-01-17T21:53:53+00:00 Belén León-Río belenleon@us.es

The ambiguity of traditional sexual roles would have broken into the art of the early twentieth century, reaching our days through changed and confusing roles that are played on numerous occasions by creative men capable of interpreting their feminine counterpart through the symbols of the unconscious. This new approach to the male sexual role would constitute an important component of its mental constitution, while at the social level it would constitute a transforming force where the feminine begins to have a renewed power, putting a entrenched patriarchy in crisis. In this article we will see how in the art of male artists the union of opposites would be condensed into unity, presenting itself as a bisexual and totalizing being that reveals a new man, capable of manifesting his feminine side as a critical alternative that breaks with conventions. social, linking with our evolutionary past but also with our future.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73637 2024-01-17T21:18:41+00:00 Sofía Cifuentes Contador sofia.cifuentes.c@usach.cl

Mujeres por la Vida (Women for Life) was a women's movement initiated in 1983 with the aim of creating unity among diverse women throughout Chile to fight peacefully against the civil-military dictatorship, the return to democracy and greater rights for women. The aim of this article is to reflect on the female subject that Mujeres por la Vida built and appealed to in order to promote a united and collective struggle against the dictatorship. From the archival review and the bets on generated memories, we will describe both the "good" and the "bad" Chilean woman to whom they appealed and we will analyze how this appeal allowed questioning and reinforcing essentialist notions of the feminine gender. A reading of strategic essentialism is proposed in order to understand how the appeal to "being a woman" made it possible to summon thousands of participants and achieve the return to democracy.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73715 2024-01-25T16:13:35+00:00 Sara Yaneth Fernández Moreno sara.fernandez@udea.edu.co

Several decades have passed since universities, especially public ones, in Colombia and Latin America revealed and named the Gender-based violence (GBV) that is generated and reproduced within Higher Education institutions (HEIs); the phenomenon that, more than sporadic, has shown to be structural in nature, only that it had been made invisible, normalized, and naturalized for years. This is the central theme of this text, which is a memory of what has happened precisely since the first research on the subject today; It presents a bold strategy, a decidedly feminist formulation, a necessary timeline, and an overview of the direction for people interested in the topic. The fabric displayed here is possible thanks to the National University Network for Gender Equality in Higher Education (RENUEGES) of Colombia and by the Institutional Action Plan for Gender Equality at the University of Antioquia (UdeA). It is a heartfelt and heartfelt text designed from feminist academic activism and reflective feminist action research.

2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73744 2024-01-26T00:02:25+00:00 Sandra VIllanueva-Gallardo svillanuevagallardo@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73746 2024-01-26T00:18:59+00:00 Javiera Arce Riffo jaarce@uc.cl 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73747 2024-01-26T00:43:07+00:00 Margarita Humphreys Ostertag margarita.humphreys@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73748 2024-01-26T00:50:07+00:00 Eugenia Brito eugeniabritoastrosa@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73749 2024-01-26T00:59:28+00:00 Juanse Rausch juanserausch@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73750 2024-01-26T01:07:04+00:00 Camilo Palma camilopalma13@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73752 2024-01-26T01:30:26+00:00 Malva Marina Vásquez malmara@msn.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73742 2024-01-25T23:07:21+00:00 Natalia Sánchez González nsanchezgonzalez1@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73741 2024-01-25T22:55:48+00:00 Equipo Editorial Nomadias revistanomadias@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73740 2024-01-25T22:42:32+00:00 José Luis Salomón Gebhard ppsalomón@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73739 2024-01-25T22:27:34+00:00 Juan Pablo Sutherland croniquer67@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías https://rmdd.uchile.cl/index.php/NO/article/view/73738 2024-01-25T22:14:12+00:00 Equipo Editorial Nomadias revistanomadias@gmail.com 2024-01-26T00:00:00+00:00 Copyright (c) 2024 Nomadías